Casino. FSK 16 Minuten | USA Dreistündige Meisterwerk über Aufstieg und Fall der Mafia in Las Vegas von Meisterregisseur Martin Scorsese. Casino: Drama/Thriller/Kriminalfilm/Gangsterfilm/Mafiafilm von Barbara De Fina mit Frank Vincent/Don Rickles/Sharon Stone. Jetzt im. Martin Scorsese liefert mit "Casino" einen weiteren Gangsterfilm ab, der diesmal aber Robert De Niro, Joe Pesci und Sharon Stone spielen überzeugend.
Casino (Film)Casino ist ein Kriminalfilm-Drama aus dem Jahr des Regisseurs Martin Scorsese, der das Drehbuch zusammen mit Nicholas Pileggi schrieb. Dessen. Martin Scorseses Mafiadrama Casino zeigt die Mafia im schillernden Las Vegas der frühen Siebziger, welches hinter dem Vorhang der guten Laune von Geld. Casino. FSK 16 Minuten | USA Dreistündige Meisterwerk über Aufstieg und Fall der Mafia in Las Vegas von Meisterregisseur Martin Scorsese.
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The Rosenthal character is here named Sam "Ace" Rothstein and is played by De Niro. The hotel became the Tangiers for the film.
The mob backs Rothstein but has to set up a false front while Rothstein "secretly" runs the hotel, because of his gambling charges back East.
Meanwhile, mob strong-arm Nicky Santoro Pesci heads out to Vegas to protect Rothstein, but eventually ends up running his own rackets and trying to effectively take over the town.
Casino is the story of the relationship and political problems that this cast of characters and a number of associates run into. It's roughly a gradual road to destruction for everyone involved.
The film is unusual in many ways. The most prominent oddity is that a large chunk of it is told via alternated narration from the two main characters, Rothstein and Santoro.
The aim was probably to include a lot more of Pileggi's book, in a more literal way, than would have been possible through more conventional means.
It's remarkable that the narration works as well as it does, especially because a lot of it is given a rapid-fire delivery. For at least the first 15 minutes, there is barely a pause in the narrational dialogue.
One of the reasons it works is because of the style that Scorsese uses to accompany it in the opening. He employs a lot of fast cuts while presenting very stylized, documentary-like footage.
The opening feels as much like an entertaining behind-the-scenes look at how the typical casino works as it feels like a fictional film about gangsters.
This happens so subtly that one hardly notices. Scorsese's directorial style likewise evolves from the fast-cut documentary approach to something more conventional.
This is all well and good, but on the other hand, the gradual evolution can only happen because the film is so long--it clocks in just a couple minutes shy of 3 hours.
That's a bit too long for the story being told. By at least the halfway point, it starts to feel a bit draggy.
All the material is necessary to the story, but it could have been tightened up a lot more. While I like the songs--I've owned the CD since it came out and I listen to it often enough--and the songs can help set the mood for some scenes, they become a bit too incessant and overbearing for the story after awhile.
It begins to approach the dreaded "mix tape" mentality, where the songs are just there because the director wanted to share some bitchin' tunes that he likes a lot.
A bit of ebb and flow with the music, and music better correlated to the drama, would have worked even better. Presumably, Scorsese was shooting for something like a sensory assault, since that's what you get in Vegas.
The visuals are filled with neon lights, flashy clothes I love Rothstein's suits , flashy people and such. The soundtrack is probably meant to match.
But in that case, if I were directing, I think I would have went for a combination of commissioned music that incorporated a lot of casino sounds, or that mimicked a lot of casino sounds--the cacophonous electronic symphony of various machines constantly going through their modes--with schmaltzy show tunes, ala Liza, Jerry Vale, Tom Jones, Wayne Newton, etc.
That Scorsese was trying to give a Vegas-styled sensory assault is also supported by the audio-visual contrast between the Vegas scenes and the scenes in other locations, such as Kansas City.
So I can understand the motivation, but I'm not sure the final result exactly worked. Of course the performances are exceptional, even if everyone is playing to type, except for maybe Woods.
The plot and characters are written and performed so that the viewer can see the disasters coming way before the characters can--and that's how it should be.
For example, as a viewer, you know as soon as it starts that it's a bad idea for Rothstein to kowtow to McKenna to win her hand in marriage, but Rothstein is blind in love and he ends up paying for it.
Everything unfolds almost a bit predictably in this respect, and another slight flaw is that we're shown the penultimate moment of the film right at the very beginning.
It tends to make it feel even more stretched out, as you keep anticipating that scene. But the slight flaws shouldn't stop anyone from seeing this film, and of course, quite a few viewers feel that there are no flaws at all.
Archived from the original on April 30, Box Office Mojo. January 19, Archived from the original on February 1, Casino: Love and Honor in Las Vegas.
Archived from the original on August 20, Retrieved September 5, De Niro: A Biography. Scorsese on Scorsese. Las Vegas Review-Journal. Retrieved August 18, Archived from the original on October 28, Retrieved October 28, Retrieved October 19, November 23, Retrieved November 2, August 24, Archived from the original on August 24, Chicago Tribune.
Archived from the original on May 9, Retrieved August 21, The Rough Guide to Film: Marin Scorsese. Rotten Tomatoes. Archived from the original on December 27, Retrieved March 27, Archived from the original on January 23, Retrieved July 10, Retrieved November 25, Archived from the original on May 26, Retrieved July 5, Archived from the original on December 8, Retrieved January 4, Archived from the original on December 18, Follow Rotten Tomatoes on Apple News.
Top Box Office. SIGN UP LOG IN. Jester McGree. What's the Tomatometer? Home Box Office TV DVD MORE. Follow Us. Casino and Heat Both Came out in and Changed Robert De Niro's Career Forever The celebrated actor delivered a phenomenal but underappreciated one-two punch 25 years ago that showcased his legendary onscreen persona but also signaled the end of a significant chapter in his career.
Mes amis. Envie de voir. Interdit aux moins de 12 ans. En , Sam Ace Rothstein est le grand manitou de la ville de toutes les folies, Las Vegas.
Distributeur United International Pictures UIP. Secrets de tournage 16 anecdotes. Langues Anglais. Format production -. Couleur Couleur. Format audio -.
Format de projection -. Netflix Abonnement. En VOD.Handling time. Casino is the story Freeplay the relationship and political problems that this cast of characters and a number of associates run into. You've got to give them the TГјrkei 1. Liga to everything that's yours.